“I had just finished this plein air sketch in an hour. Compared to my studio work that I had spent hours on, it just blew them away. There was no comparison,” says LeCours. “The plein air work had more energy, more vitality. It was more real than the studio work. Because it had come from a three-dimensional world and I was reacting to the elements, even the wind, it had more life. It had all fed into my creativity.”
Capturing and celebrating the colors of Maine is one of the prime desires of a New England artist. It is both a skill and a talent artists Claire Bigbee, Ingunn Joergensen and John LeCours share. This talented trio is featured for three weeks at Shows on Maine Art Hill opening September 1. The artists will attend an opening reception at 10 Chase Hill on Saturday, September 1 from 5 – 7 PM. When three artists together are group together, there needs to be a sense of cohesiveness, a thread that weaves through and connects. For this show, it is color.
“These Nederzee Daydream paintings are like a “ meditation”. They are where I meld the old Dutch Seascape traditions with modern painting and modern color concepts,” explains LeCours. “This series of paintings evolve organically and intuitively.”
We are celebrating the fall colors, the cool air and the addition of two new artists to the gallery. Both are excited to join our family, and we want to give them a proper Kennebunk Welcome. There is nothing like hot apple cider and fall bites to make a Maine gathering complete. We are also thrilled to have live music from local guitarist Beau Dalleo. So, as you are out wandering and enjoying the sunshine this weekend, we hope you take some time to come say hello and visit.
LeCours, who works mostly in oils, takes inspiration from the natural beauty of his native New England. “The first time I painted outside, en plein air, in Portsmouth Harbor, I realized that nothing can replace the excitement and energy of reacting to the elements and painting directly,” he says. “Feeling the sights, sounds and smells and reacting to them with ‘mark making’ was a true epiphany.”