First Lives – Margaret Gerding

02/08/2018 0 Comments

“I always knew I was an artist. I also knew I was blessed to have a large family who supported my path, which makes the struggles and challenges a little easier.”

View From Pier Road I View From Pier Road II

At nine years old Margaret Gerding’s father cleaned out a portion of their family garage in order to create a little studio space for her. However, even with unconditional support an artist often has to find other avenues first. Gerding has held many other jobs in her life which have allowed her to be where she is today.

“Starting right out of art college I worked in banking. I even started my MBA at Northeastern,” shares Gerding. “Next I moved to a position as art director for an advertising firm. Finally, I opened my own communications company.”

Parsons Beach Road View From Granite Point Yellow of the Goldenrod

The journey for Gerding was definitely linear in growth, but the line started in a very different place than where it ended.  The ten years Margaret spent in the corporate world gave her great insight as to who she is, and who she is not.

“Most days I woke up around four in the morning just to run directly to my studio in order to get a few hours in,” explains Gerding. “I had to go into the office and put in a ten or twelve hour day, so it was the best way for me to guarantee studio time.  The next day I woke up and did it over again.”

Gerding realizes this doesn’t make her special. “Many people put in long days, I know that. What it did show me was how much I wanted it. How much I wanted my art,” she says.  “I was good in my other world. I handled the high demand deadlines and working with clients to achieve goals, but I got nothing from it. I needed to paint every day. It was the priority for me.”

Measured Moments VI Measured Moments IV

When Gerding finally left the corporate world at age thirty-three, she had to find a new balance, the balance of being a single mother and artist. “It was actually much easier. Having my daughter nurtured my creative juices. I believe being around children reminded me what art is all about—the simple joy of expression,” shares Gerding.

Margaret was also a nanny, which she claims is a very convenient job for a single mother. It may have been convenient, but many of us know raising children, especially someone else’s, is not easy. Throughout the years she has also used her skills and talents as an artist to teach, which she still does today.

“I remember my daughter coming home from a playdate. She was so sad. She looked up at me and asked, ‘How come my friends’ homes don’t have studios?’ This simple statement was confirmation that I was doing it right.

To read more about Margaret Gerding, her work, and her stories, click this link. Margaret Gerding – Insights and Stories

To view our complete collection of her work click here: Margaret Gerding – Artist Page

As always, we welcome you to visit the gallery to see work in person.  Our hours for February are 10 am to 5 pm, Thursday – Monday. Come and see us!

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Liz Hoag – First Life and the Law

09/14/2017 0 Comments
Liz Hoag – First Life and the Law

“People think that being an artist and being a lawyer are exact opposites, one, a left brain activity, one a right brain activity,” says Liz Hoag. “I disagree.”

Liz Hoag completed her undergrad at Cornell and received her Bachelors of Fine Arts in Studio Art in 1983. She then earned her Masters of Fine Arts in Painting from Boston University in 1986. Thinking she had completed her “college life”,  she moved to Maine started a screen printing business, mostly on fabric, t-shirts and such.

“My boyfriend quit his urchin diving business and grew the screen printing business with me two years later. However, things change. Our relationship ended in 1994, and in 1997 I sold out my share of the business to him, as well.”


At that point, Liz decided on another change and opted for law school at the University of Maine. She met her husband in 2002,  earned her JD in 2003, clerked for a Justice on the law court and had twins in 2004, and soon after took a new job at Pine Tree Legal Assistance. We are fairly certain she took a few deep breaths in there as well.

When asked about her complete change in life work, this is often her answer:

“The biggest difference lies between the culture of art and the culture of law.  Art is generally a friendly and even collaborative field.  Law is neither,” says Hoag. “Law is designed to be adversarial.  Someone wins and someone loses; end of story.”

The second twist in the story…in 2010, Liz quit law and went back to art.

“It took a while for the decision to gestate.  Up until 2010, I didn’t have the courage or self-confidence to be an artist full-time.  I  had a husband.  I had children.  I had financial responsibilities,” says Hoag.  She also had the problem many of women have, she felt like a fraud. “I never thought I was as good as others thought I was.  So if I never really tried, I couldn’t fail, and people would still think I was good. There was no risk.”

However, with a fiftieth birthday coming up fast, Liz knew if she was going to do it, she had to do it soon. “I did my financial calculations. I had arguments with my husband. Then, I quit my job,” she says with a grin.

As an artist, one might not be as successful financially as another painter or might not have particular skills another has, but Hoag believes artists are not expected to face off against each other so that someone wins and someone loses.

“We find our places as artists. We change and grow and have open-ended possibilities,” says Hoag. She found after a few years of practicing law, she was just exhausted from spending her days arguing with other lawyers and always trying to “win”.

“There were certainly some good feelings that came with a win in court, but the feelings didn’t last. I worked with low-income residents of Maine and liked the idea of giving them quality legal representation, but in the end, I knew that I was better at something else, and I’d be happier doing that something else.”

The biggest difference between the two I think lies the culture of art and the culture of law.  Art is generally a friendly and even collaborative field.  Law is neither.  Law is designed to be adversarial.  Someone wins and someone loses; end of story.  As an artist, I might not be as successful financially as another painter or I might not have particular skills another has, but we are not expected to face off against each other.

Having found success in both fields Liz feels there are more similarities than many understand.

“The thought processes of both professions require both sides of the brain.  Of course, we think of art as being creative, but the fact is if I sit around in my studio and wait for inspiration to show up, I would never get anything done,” laughs Hoag.  “An artist and a lawyer need to focus, have goals, and plans to achieve them.”

Hoag knows we all need to work through the days of “I just don’t want to do this”. We all have to learn and we have to be creative. Law is no different.

“On an average day, I was rewarded for NOT being creative – that’s what “precedent” is all about.  The need to research and use what has gone before to help win a case,” says Hoag. “But then when a case with a novel issue comes, one that hasn’t been dealt with in Maine perhaps, this is when creativity is critical. I was able to take precedent and expand it. I loved giving the judge something new to think about,” says Hoag with a smile. “It’s rare and exciting working on a novel idea in law, but it does happen. So see, art and law both require hard work, critical thinking, and creativity.”

Law has also helped Hoag understand producing art is hard work like any other profession. It deserves respect and effort. “I still get comments about how being lucky,  about being talented and the lovely comment ‘I wish I could quit my jobs and just do art’,” Hoag laughs. “Me too, I want to say, but I simply say Thank you. Yes, it’s great.’ and move on.”

Hoag knows it’s not that simple and being lucky or genetically talented didn’t get her where she is as a painter today.  “Hard work, a lot of thought, and some middle-aged self-confidence got me here,” she says. “And I’m so glad I made the move. My possibilities are infinite.”

Click the links below for more about Liz Hoag. View her One Woman Show at Maine Art Gallery

Read more Artist Insights from Liz Hoag

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Meet the Staff – John Spain, Owner of Maine Art

04/13/2017 3 Comments

Apparently, Things Do Change

Then......and Now

It may have started with musicals like Jesus Christ Super Star, summers spent at Choral Camp at the University of Maine in Orono, or that favorite teacher who guided his interests around the art department. However, it ended as the lead singer in a rock band and finally, the owner of a successful gallery. That’s right, being the front man is nothing new for John Spain. Even though it is now more common to find the owner of Maine Art Paintings and Sculpture in jeans and a dress shirt, not black leather pants and a tank top, his love of music and the arts has never wavered.

“Bands like Kings X, Yes and Pink Floyd influenced me musically,” says Spain. “However, my vocal inspirations came from singers like Chris Cornell and Geoff Tate. I also love the jazz greats of the 50’s and 60’s: Oscar Peterson, Dave Brubeck and Miles Davis. It’s usually a surprise when I put my iTunes on shuffle. I never know who will come up – Yo Yo Ma, Ella Fitzgerald or Sound Garden.”

By the time high school was over, John did find another calling. Sales. Car sales in particular. His love of everything with four wheels quickly led him to discover his knack for marketing and sales. He was good. Of course, having a nice, steady paycheck in his pocket was pretty good, too. However, he couldn’t give up the pursuit of his musical dreams.

His Personal Ford Truck Ad

“When the opportunity to move to New York to pursue a rock and roll career arose, I couldn’t turn it down. Things didn’t work out, but I wasn’t ready to go back to New Hampshire. I loved the city. Instead, I hit the street for a job. I still had to pay rent,” says Spain.  “It wasn’t long before I found a small gallery on the Upper East Side of Manhattan.  I started on the floor, but soon moved into management.”

It was a conscious decision to hang up his microphone and leather and begin his career in the gallery business. He spent three years in New York, and has fond memories of the city and his time there. Yet, after a short trip to the Maine coast in 1991, it was time for a change. Click here to read the story about how Maine Art began. As busy as he was starting up a new business, there was still a part of him that missed the adrenaline that performing gave him. What is an ex-rocker turned gallery owner to do? Not willing to slip back into the leather pants, John chose a different suit; a fire retardant one.

Always #47 Meeting of the Minds

“I have been racing sports cars for almost twenty years, now. I compete all over the U.S. and Canada. I also have the privilege of teaching other drivers how to race.  It’s rewarding and makes me a better racer. Overall, I win some. I lose some. And yes, I even crash some. It’s all part of the experience,” says Spain. “I love driving a new racetrack. In fact, you could say I collect them. The only thing I love more than the tracks are the drivers I compete against. We are a tight-knit group. Actually, one of my Bucket List items is to perfect my skills and speed to the point where I can regularly beat the drivers I most respect and admire,” he pauses and laughs. “They know who they are.”

When John is not driving around the track, he is driving around the country. His love of the outdoors, coupled with his wandering soul, makes cross-country RVing a perfect scenario. Thanks to his amazing year-round managers, Amy and Natalie, he is able to work remotely during the off season and cruise the United States in search of adventures. (Considering this interview was done from the passenger seat of the 40 ft diesel pusher coach, I’m not complaining.) It may have started with mountain biking and hiking, but more recently he has added canyoneering, kayaking and backpacking, sometimes all in one day.

Off to the Goblin's Lair Slot Canyon Smile Living Large

“National Parks might be the only thing I have collected more of than racetracks.  I have visited 48 of the fifty states, leaving North Dakota and Alaska for that ever growing Bucket List,” says Spain. “I love Maine and am lucky to have all my family living in New England, but this country is just too beautiful not to experience first-hand.”

White Sands National Park and Happy Wet Canyon Hiking - Wetsuits and all

Though Spain himself has brought many changes to his world over the course of his life, regrets are few and rewards, many. He has a woman who loves him and puts up with his crazy, a wonderful supportive and encouraging family, and an incredible group of friends he would do anything for. On top of it all, he owns a charming home and a thriving business in the beautiful town of Kennebunk, Maine.

Doing what he does best

“I have no future dream job. I love my life. Maybe in my next life I’ll manage a professional racing team,” Spain says thoughtfully,  “or maybe a National Park Ranger, or I could drive a tourist town trolley for tips. Now that would be fun. Seriously though, I am lucky. I am happy. And if today is my last day on Earth, I leave with a smile on my face.”

* Interested in seeing this ex-rockstar, race car driving, gallery owner perform live? Watch around town for Lisa Mills and her amazing musical partners. She occasionally shares her mic with John.

To read about each of Maine Art’s staff click here

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William B. Hoyt on Being a Navy Man

08/29/2016 0 Comments

hoytwithadmiralNot for Sale

Lieutenant JG Hoyt giving a painting to Admiral Richardson of the Sixth Fleet.

“When I was twenty-three, I was in the Navy on the staff of the Commander of the Sixth Fleet, the Mediterranean Fleet. It was the late 60’s, during Vietnam, but things were also hot in the Middle East. It was the ’67 war with Israel and Egypt. We had quite a presence over there. Aircraft carriers and submarines. Fifty US ships. There was a lot of support. My official title was Communications Launch Officer. I was a part of the staff who handled the thousands of messages coming in though the teletypewriters. As a junior officer, I stood watch and managed the enlisted people who were actually doing all the work. I also decoded top secret messages, then hand-delivered them and sat while they were read.  All of the paperwork had to be dealt with as top secret. There was a public affairs officer on the ship who came up with this idea of having me go around the fleet to create paintings of the fleet activities. The mission was really just a lot of flag waving. NATO and US presence. We were basically there to intervene if Russia stepped out of line. The navy had musicians who just played music, that was their job. There was a band on the aircraft carrier that went into port a few days early and gave concerts. It softened up the locals to the US soldiers who would soon arrive. Anyway… The idea was to accompany the musicians with paintings of what was going on out in the field.  He sold the idea to the Admiral, and I was sent out on an aircraft carrier, a destroyer, an amphibious assault ship, everything except a submarine. I had a set of orders from the Admiral, and everyone did what he said. The set of orders was sent ahead and read something like this. ‘Render Lieutenant JG Hoyt whatever assistance required for the completion of his duty.’ I would arrive on a destroyer, and the captain always met me. ‘What can we do? Where would you like the boat?’ I was overwhelmed. ‘No. No. No.’ I said.  Can’t you just see it? ‘Move the boat over there.’ Then all hell breaks loose.”


To read more stories from Hoyt regarding his work at Maine Art, click here –  Artist Insights – William B. Hoyt.

Hoyt’s one-man show will be running through September 5 at Maine Art Shows in Kennebunk. We are open from 11am – 5pm every day. Please come by and visit.

You can also view his entire show online at William Hoyt at Maine Art Shows.

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Behind the Painting – Custom Stretchers from Brickyard Enterprises

08/01/2016 0 Comments

Ann & Mike

In the spirit of First Lives, we here at Maine Art are taking a bit of time to recognize a behind-the-scenes source that has just recently come to our attention. Brickyard Enterprises is located in Ferrisburgh, Vermont in the beautiful Champlain Valley. They are a small company run by Mike Poskas and his wife, Ann. They also live about a half-mile from Rebecca Kinkead. Mike and Rebecca’s husband, Jamey, hunt together. One day, during a rabbit hunt, Jamey tossed a very random idea his way.

“When Jamey asked about making stretchers for Rebecca’s canvases, Mike was all in,” says his wife, Ann. “Then he promptly came home, and together we researched what a stretcher was and how to make one!”

Four months later, the Poskas’ new three-car garage was transformed into a high-end woodworking shop, which they call “the barn.” That was now four years ago. Even though Mike is busy flying as a pilot for a commercial airline, the duo has kept the business going.  Orders were thriving and soon Ann left corporate America to focus on Brickyard. She doesn’t stop at the business end though. The couple splits the duties in the wood shop, as well.

“Mike does all the major cutting, but I put everything through the joiner. Then we work the table saw and the shapers for the profile together,” says Ann. “He does the precision cuts – that pilot’s attention to exact detail comes in handy. He also handles anything too dangerous for me to do alone.”

With five shapers, four are dedicated to the tongue and groove work. Ann handles four of them without issue. She also puts the smaller stretchers together. The larger pieces require a cross-bracing; this is where Mike is needed again.

“I stretch the canvases and do most of the delivery,” says Ann. “We have over forty artists, twenty of them are regulars. I deliver all over New England and we ship to as far away as Florida.”


Everything at Brickyard Enterprises is custom ordered and made by hand with locally sourced basswood. They keep no inventory in stock and make each piece to the exact specifications of the artist, offering both stretchers and panels in a variety of sizes.

“We have never advertised. It has been word of mouth since we started and we are more than busy. It has always been a fun business and has come to be something we love to do,” says Ann.

Word of mouth is exactly what led a second one of our artists to Brickyard. Craig Mooney and Rebecca Kinkead have worked in galleries together for a few years.  When Rebecca committed to an exclusive deal with Brickyard, she immediately called Craig to let him know how fabulous their work was. It wasn’t long before Craig was on board, as well.

IMG_0722 IMG_0740

Not only does Brickyard produce custom stretchers and panels, they have added fine art transportation to their list of services, and transport to all of New England. They have also begun stretching completed works for collectors and artists. It’s important to have high quality materials supporting the beautiful work that hangs on our walls and yours. Our artists take this part of their process very seriously, and it’s all the better when we can keep it local.

For more information on Brickyard Enterprises, visit their website and check them out on Facebook.

Brickyard Enterprises Brickyard Enterprises Facebook Page

To see both Craig Mooney and Rebecca Kinkead’s work please visit our galleries in Kennebunk; Maine Art Shows, at 10 Chase Hill Road and Maine Art Paintings and Sculpture, at 14 Western Avenue. You can also view our complete collections of their works on their Artist Pages and read more about them on our Blog by clicking the links below.

Rebecca Kinkead at Maine Art and Rebecca Kinkead an Inside Look

Craig Mooney at Maine Art and Craig Mooney an Inside Look

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First Lives – Philip Frey

04/28/2016 0 Comments

Like so many artists, giving back and sharing skills and knowledge found its way into Philip Frey’s life. Aristotle said, “Those who know, do. Those that understand, teach.” Not only did he teach students at the high school level, but Philip was just crazy enough to take on the role of the K-8 art teacher on Swan’s Island right here in Maine. Teaching is still very much part of Philip’s world. He hosts various workshops and classes for children and adults throughout the year.

He wasn’t always lucky enough to find work in his field. However, working with his hands and creating seems to be a common theme in his past and present.  “I worked on an organic farm, spent some time doing carpentry work and like so many other artists, found odd jobs to keep busy,” says Frey. He also spent a bit of time in a few framing galleries.

Apparently, those skills have served him well. Having been fortunate enough to wander through Philip’s studio, the discovery of a small woodworking shop in the back was a pleasant surprise. Philip often designs and frames many of his own pieces. In addition, he has left his mark on the wonderful little house which sits adjacent to his studio space.  The entire property has the look and feel of an artist’s sanctuary.


This “feel” didn’t just happen. Philip has spent many years studying Buddhist philosophy, epistemology, psychology and mindfulness meditation. The sense of peace Philip has created is proof of his studies. “Hiking, walking and mindfulness meditation keep me grounded,” says Frey. Even talking with Philip brings a sense of this same calm. We always look forward to his visits to the gallery.

Its hard not to wonder where someone so inspired has found his own motivation and guidance. For Philip, it is the people who surround him, both in and out of the art world. “My dear parents, Jim and Mickey,” says Philip before giving credit to any others. “I also have close friends, Bill and Jane, and of course, Ken Mike, my high school art teacher,” he continues. “Maine artist, Alan Bray is amazing. Fairfield Porter’s and Eve Mansdorf’s works and writings continue to inspire me.” The thoughtful look that is such a part of Philip’s charm tells me he has many more, but he limits his list with a smile.

Maine Art Paintings and Sculpture has a wonderful collection of Philip Frey’s work in the gallery at 14 Western Ave. In June, you will also be able to see a few of his new pieces in the Choice Art Show up on Chase Hill at Maine Art Shows. If you can’t make it for a visit, please visit his Artist Page, and click here to see other posts that feature Philip and his work.

Voting for the Choice Art Show will begin on May 2 at


First Lives – Susan Wahlrab

03/24/2016 0 Comments

The Merriam-Webster Dictionary states, “Art is something that is created with imagination and skill and that is beautiful or that expresses important ideas or feelings.”

Many of our artists have always found a way to integrate art into their lives long before society ever called them artists. In their early years, they were drawn to color, design, photography, or just a really great napkin doodle. Regardless, it was in their blood. It was a knowing that beauty is meant to be captured in a form. They sketched or sculpted and always found a way to express themselves and their surroundings with visuals.

At a very young age, Susan Wahlrab was expressing her own “important ideas.” “My grandmother said I came home from whatever event and went right for my drawing pad or my desk chalkboard and immediately created a visual diary of what most interested me,” says Wahlrab. “Making images has been my way of integrating life’s experiences since I was very small.”  Having someone to nurture those interests and natural curiosities soon led Susan down the road to becoming an artist.


“It was a natural step to go to art school,” remembers Wahlrab. However, it was while she was completing graduate work that she discovered a different passion, a passion for teaching. This lead to positions at Swain School of Design, Rhode Island School of Design, Brown University, Framingham State University and Maine College of Art.  Teaching became a way of sharing a love with others who understand that love.

The other side of Wahlrab’s life was quite different from her art. “I discovered movement from an early age, as well. It began with swimming, on to hiking and running, then to yoga,” says Susan. It is this exploration that led Wahlrab down a path which she thought would run parallel to her art, but became something separate. And yet, turn after turn these roads continued to weave together, one not complete without the other.  “At this point they are both such a part of me. I can not imagine a day without my morning practice and meditation followed by hours in the studio. The yoga brings the balance and connection I need to continue to grow.” Susan knows that on a practical level the physical strengthening and calm focus supports the demands of standing all day painting and working through challenges, yet she knows it is more than that. “On a deeper level yoga has integrated a full and complex life which I can use to inspire as I continue the journey of expanding as an artist.”

Again, a passion led her to teaching; something that has become just as natural as movement and art. “One thing is clear. When I find something I truly am passionate about, I want to share the excitement through teaching. The process and time I put into classes supports my own learning journey. A life of observation and connection of body, mind and spirit.”

DSC_0017.JPGSusan Wahlrab’s Studio

We welcome you to come in and see our complete collection of Susan Wahlrab’s work here at Maine Art Paintings and Sculpture in Kennebunk. Her watercolor technique is as beautiful as it is unique, and is meant to be seen in person. However, we know this is not often possible and encourage you to visit her Artist Page on our website. If you are interested in learning more about Susan Wahlrab and her art, please read an earlier blog about one of her works, Reflection.

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First Lives – Ellen Welch Granter

03/10/2016 0 Comments


Ellen Welch Granter has been with Maine Art Paintings and Sculpture for over ten years.  Her love of nature and wildlife, especially the winged ones, is well known in the Maine art community.  Her work is peaceful and warm and welcomes the viewer in with open arms. Yet, her life did not start at an easel.

School for Ellen looked a little different than you might expect.  A bachelor’s degree in Political Science, a master’s degree in History. Government? Politics? This isn’t the jumping-off point for most artists. Like so many of the most interesting people in our world, Ellen’s past is varied and fascinating. Having the opportunity to chat with Ellen at an opening is always a pleasure.  She is intelligent and well spoken, and offers so much insight into her work. However, there are pieces of her past one would never guess. The pinnacle being six years of studying Mandarin Chinese. “I started learning it as a study-abroad student in Hong Kong in 1982. Then I did Middlebury College summer intensive language training… twice. After that, another year in Beijing. I had an internship during that time at a very sleepy import/export company. There was virtually no importing or exporting actually going on at that time, 1985, so I hung out with the drivers and office staff and learned a lot of Beijing slang.”

There were some years, like the rest of us, Granter had to work her way through. Her patience with her art and with her clients certainly was earned from the beginning of her employment history. “My first job… I worked for the Sisters of Saint Joseph as a nurse’s aide in their infirmary at Nazareth College,” say Granter.  “I was also a lifeguard, a waitress, a quilt piece cutter and a knitting shop assistant.” She did it all. “Making submarine sandwiches for drunk students was in there somewhere as well,” Ellen remembers. “But hands down my worst job was working a folding machine in a print bindery. It folded those little paper instructions that used to come inside pill bottles. I lasted a full two days!”

Eventually, her odd jobs began to lean a bit into the art world. “I was a technical illustrator, video editor, t-shirt silk screener and graphic designer/art director in various places.”  When a person really looks at their past, it is hard to have regrets when happiness fills the present. “It all enriched my life, and sent me on my path. Non, je ne regrette rein,” says Granter. No, I regret nothing.


Please visit Maine Art at 14 Western Avenue in Kennebunk to see all of Ellen’s work.  You can also see it online on her Artist Page.

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First Lives – David Witbeck

03/03/2016 0 Comments


“As a kid, I thought I wanted to be an artist… or maybe a musician,” says David Witbeck. “As a high school senior my choices were music school in Potsdam, NY (the boonies, -40 in the winter), or Art School in the Big Apple. What would you choose?”

Did he choose New York City? Yes. He studied at Pratt Institute in Brooklyn for three years. Did he stay in New York? Yes. However, after quickly becoming “disenchanted with the crazy New York art scene of the time,” he read The Painted Word by Tom Wolfe, and photography seemed like a much more relevant pursuit.  He became aware of, “nitty-gritty black and white street photography and photojournalism.” He transferred to Rochester Institute of Technology. Rochester was not only home to a photography program, but also to his then pregnant girlfriend. “Ah, the 60’s,” says Witbeck as he looks back.

“A very young marriage and parenthood necessitated finding whatever work I could,” says David. Darkroom assistant, wheelchair mobile driver, employment counselor…the irony! He eventually took a job as a yearbook photographer. Still not art, but getting there. After three years he quit and took a job with a small weekly newspaper. “The pay was less, but I could build up my photojournalism portfolio.” Art, right?

“Eventually frustration, poverty, disappointment, etc., led to divorce, at which point I decided to ‘bleep’ it all and just drive a truck,” says Witbeck. Sometimes taking a step back is necessary in order to take a step forward. After a year of driving a small fish-delivery truck, he made the decision to go big or go home. “As long as I am driving a truck, I should drive a ‘real’ truck,” he had thought. He took lessons, received his NY Class 1 license, and for the next six years was a Teamster driving tractor-trailers. Now that, ladies and gentleman, is an art.

“Driving trailers could be great fun in good weather, but a little terrifying in Rochester winters when, by March, there could be ten feet of accumulated snow,” David recalls. With the threat of becoming an old Teamster, he applied and was accepted to Rhode Island School of Design in 1980. Finally, the world of art had found its way back into his life.

He sold just about everything he owned and moved to Providence. “I graduated with a BFA in photography in 1982 at the age of thirty-five.” He had a couple beat-up cameras, a few sticks of furniture, his clothes, a few thousand in debt… and the promise of a job with a major daily newspaper to his name. “The job failed to materialize. The photo editor wanted me, Human Resources demanded a woman… I was the wrong gender. What now!?”

Lucky for us the “what now?” ended up eventually putting him on a path to the larger-than-life seaside fishing and lobstering paintings that grace the walls of Maine Art Paintings and Sculpture.  Alongside them hang the picturesque scenes of harbor villages and coastal life that Witbeck is known for in New England.  In May, Maine Art is lucky enough to be hosting a one-man show of David Witbeck’s work; offering more insight into this fascinating man, his history and the what, where and who that finally helped him find this Artist’s Life.


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First Lives – The History of an Artist

02/25/2016 0 Comments


We each have a history. They can be quite long or quite colorful – or both. Personal history is a kaleidoscope of people and places who have touched us and left their mark.  It is often very different than our present. But for all of us, it is what made us, for better or worse, who we are today.

While spending time at Maine Art Paintings and Sculpture, a customer begins to see connections between pieces from the same artist. There are threads that lace together works in a meaningful way. Each collection is, in many ways, a history in itself.  The staff at Maine Art is more than happy to share our artists’ names and inspiration behind the art that has captured your attention. Through this dialogue you begin to picture the artists at work. A room of blank canvases leaning against well worn walls, sunlight streaming though windowpanes illuminating partially painted pieces and brushes and palettes covered with color fill our imagination. It is a dream world, a haven, a place where this person lives and breathes. It is an artist’s world.

But there is more, so much more. Each of these artists has a history, a life, that brought them to where they are. However, like many of us, it is not what you may envision. When we look at a breathtaking landscape or detailed watercolor of the perfect autumn day, we don’t see lifeguards or waitresses at the easel. We don’t see mothers and fathers sculpting clay.  We certainly don’t see teachers or truck drivers with brush in hand, painting broad strokes across beautiful canvases. Yet, they are there. Hidden in the background, rooted in the memories and entwined in the art are these people.  These people that used to be, but have grown, changed and become artists.

Over the next few weeks, we will be introducing you to some of these people.  The yoga teacher, the nurses aide, the photographer turned truck driver turned first grade teacher. And maybe, if we are lucky, the lead singer of a rock band who gave it all up to buy a small coastal art gallery. We shall see.

As always, we welcome you to come visit the gallery at 14 Western Ave in Kennebunk or visit online at , but remember to check out our blog on Thursdays to get a peak inside The First Lives of the artists of Maine Art.


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