Artist Wade Zahares

Wade works exclusively in pastel; he is drawn to the intimacy of the chalk and the ease with which he can blend colors. The magic happens in his studio, a converted shed just off his main house. The studio, equipped with 15-foot ceilings and a house gutter to catch all the pastel dust, is set on 5 1/2 acres of farmland in Lyman, Maine, just a few miles from the Kennebunk farm on which he grew up.

New Artists at Maine Art Hill for Summer 2019

Last year was full of growth and change as Maine Art Hill, the brand, and the new buildings took shape. The 2018 Summer Season was absolutely a crazy, fun and successful adventure. So now here comes the summer of 2019, and we are sure you are wondering what exactly can be expected up here on the hill.

Lucie Boucher and Bernie Huebner – Artists at The Works

All four of us, each a visual artist of one kind or another, saw “it” at the same moment. The potential of glass to be lit from behind by reflection while setting upright in a wood base. Abstracts, representationals, portraits, manipulables, different colors overlapping and creating secondary and tertiary colors, shapes and negative spaces combining to make new shapes and spaces.  

Donna D’Aquino – Meet the Artist

Even from her earliest memories all D’Aquino ever wanted to be an artist. She received her BS in Design from The State University College of New York at Buffalo in 1989; and her MFA in Jewelry/Metalsmithing from Kent State University in 1999. Later she went on to teach and use her skills and talents to help grown new artists. Then came the day it was time for something more.

Meet the Artist – David “Rocketman” Random

“That’s when things took off. My “Antique Airships” and “Retro Rockets” have been an evolution of this process of fanciful combinations,” says Random. “Combining parts requires special attention to the details of conformity. If a rocket includes a lot of beautifully tarnished silverplate, you can’t just throw in a piece of brass, even if the shape is perfect.” That same sensibility does not permit a component from the 1950s, for example, to be used in combination with one from the 1890s. 

Marta Spendowska – A New Artist at The Works on Maine Art Hill

“I work with water-based materials because they are immediately responsive. They remind me that life does not allow for ‘do-overs’,” she shares.  “The only certain thing is here, now.” The fluidity of her materials allows Marta to be spontaneous and curious which is essential to crafting a painting or series of paintings. “There is nothing better than a drop of water with paint merging into it,” shares Marta.