All four of us, each a visual artist of one kind or another, saw “it” at the same moment. The potential of glass to be lit from behind by reflection while setting upright in a wood base. Abstracts, representationals, portraits, manipulables, different colors overlapping and creating secondary and tertiary colors, shapes and negative spaces combining to make new shapes and spaces.
Even from her earliest memories all D’Aquino ever wanted to be an artist. She received her BS in Design from The State University College of New York at Buffalo in 1989; and her MFA in Jewelry/Metalsmithing from Kent State University in 1999. Later she went on to teach and use her skills and talents to help grown new artists. Then came the day it was time for something more.
“That’s when things took off. My “Antique Airships” and “Retro Rockets” have been an evolution of this process of fanciful combinations,” says Random. “Combining parts requires special attention to the details of conformity. If a rocket includes a lot of beautifully tarnished silverplate, you can’t just throw in a piece of brass, even if the shape is perfect.” That same sensibility does not permit a component from the 1950s, for example, to be used in combination with one from the 1890s.
“I work with water-based materials because they are immediately responsive. They remind me that life does not allow for ‘do-overs’,” she shares. “The only certain thing is here, now.” The fluidity of her materials allows Marta to be spontaneous and curious which is essential to crafting a painting or series of paintings. “There is nothing better than a drop of water with paint merging into it,” shares Marta.
“I dedicated much of my early career to the development of technique and refining my craft. I do my best to honor traditional Italian glassmaking techniques,” says Webster, “ but I create unique one-of-a-kind pieces. Made by hand, start to finish, one vessel at a time.”
Williams often has figures in her paintings. “I am trying to capture a moment in time. I’m not concerned with who the people are, but I’m trying to invoke a memory others can relate to,” shares Williams. “My people have become even more simplified, much less detailed.” In her latest series of Beach Days, the figures are simple strokes of color. But as simple as they are, she still captures the movement and interaction, the mood and activity.
Vinegar Hill Music Theater is celebrating summertime Sundays by hosting Sunday Chill at the Hill. This wonderful music venue is less than five miles from Maine Art Hill. Each Sunday at 3 o’clock.
As many artists who are encompassed by the beauty here, Matthews’s work is inspired and influenced by her surroundings. “I am struck by things visually in an instant. Be it the way light plays off of something or the color interactions on a clear blue day.
The beauty of the Maine landscape, the constantly changing elements, and the ocean are a never-ending source of inspiration for all of Joergensen’s art and design work. “It is the little things that catch my attention, a piece, a fragment, a texture, a thought, a word. Sometimes taking it all in is so much, it is almost overwhelming,” Ingunn shares. “One little shell tells the story of the ocean. A piece of wood tells the story of lived life. Beauty is found in the most unexpected places.”
“The winters are stripped down and everything slows down. I like that solitude. The light is incredible. The blue shadows in the winter and the skies. The beach. The water. The coastline. The pastoral inland views,” Bigbee raves. “The whole state is just a huge painting waiting to be painted.”