Dinner at Water’s Edge – William B. Hoyt’s Fall Favorite on Maine Art Hill

William B. Hoyt | Dinner At Water’s Edge | Oil on Canvas Stretched on Panel | 24″ X 36″ | $14,500

“This painting celebrates a serendipitous moment at my daughter’s summer home and son-in-law on Islesboro in Penobscot Bay,” shares Hoyt. “They had a dinner party, guests had arrived, and the lobsters are almost cooked. Out in the harbor, a rendezvous of windjammers has gathered and anchored for the night they hadn’t anticipated, completing the scene as the setting sun goes down.”

“The challenge of painting flames, steam, sunset, and all those boats and my personal connection to the place and the event all contributed to making this my favorite recent painting,” says Hoyt. “Other than the one I’m working on right now… it’s always my current favorite.”

To see all available work from William B. Hoyt, click the link below.
To read more insights from William B. Hoyt, click the link below.

Elevation – Julie Houck’s Fall Favorite on Maine Art Hill

Julie Houck | Elevation | Oil on Linen | 37.62″ X 36″ | $4800

“My favorite piece at Maine Art Hill is Elevation, one of my most recent coastal landscapes,” shares artist Julie Houck.  “I love the clouds’ nuances against the sky and the way the clouds seem to move and lift you up and into the painting. I chose to juxtapose the clouds against a darker sky, to intensify this dynamic.”

“The meandering waterway heading to the horizon, and then the portal up and into the sky are the compositional aspects of this piece that produced its name, Elevation.”

To see all available work from Julie Houck, click the link below.
To read more insights from Julie Houck, click the link below.

Beach Stones #8 – Alex Dunwoodie’s Fall Favorite on Maine Art Hill

Alex Dunwoodie | Beach Stones #8 | Oil on Panel | 12″ X 24″ | $2600

 

“My favorite is Beach Stones #8,” says Alex Dunwoodie. “I love the tumbled rocks along shorelines; the mix of colors and textures. Sitting and studying the stones is calming to me.”

For Dunwoodie, it’s a lot like looking at the water because her eye wanders over the surface in the same way as over waves — very relaxing.

“The best time to look at rocks is on overcast or rainy days when their colors stand out. It’s a great thing to do on a foggy day,” she explains.

Dunwoodie has been making beach stone paintings for a few years now.

“I’m pleased with how this particular one came out.” Dunwoodie shares.  “I want my paintings of stones to be inviting to viewers. I like to pick up some of these rocks and hold them and turn them over in my hands.”

To see all available work from Alex Dunwoodie, click the link below.
To read more insights from Alex Dunwoodie, click the link below.

 

Trees Along the Winter Marsh – Margaret Gerding’s Fall Favorite on Maine Art Hill

Margaret Gerding | Trees Along Winter Marsh | Oil on Panel | 42″ X 60″ | $10,000

“One of the best parts of my life as an artist is to explore nature and witness the unexpected moments it offers,” shares artist Margaret Gerding.

Her time is largely spent in the studio during the winter, but she still walks the trails and beaches.

“The bare branches allow for some breathtaking views not seen during other months, hence the creation of Trees Along the Marsh. This painting is based on a walk I took in Wells down by the harbor and is a winter reminder to keep looking.”

To see all available work from Margaret Gerding, click the link below.
To read more insights from Margaret Gerding, click the link below.

Tango at Sunset – John LeCours’s Fall Favorite on Maine Art Hill

John LeCours | Tango at Sunset | Oil on Canvas | 16″ X 40″ | $2400

“This piece flowed out of me in a very mysterious way,” shares artist John LeCours about Tango at Sunset, his Fall Favorite. “It seemed to come directly out of my subconscious.”

This autumnal tree’s look resonates with the fall season but speaks to the viewer on several levels.

“Even though there is a loneliness to this piece, there is also a feeling of future hope and eternal life,” says LeCours. “Symbolizing the Tree of Life and an existential vibe that is inherent in this composition.”

To see all available work from John LeCours, click the link below.
To read more insights from John LeCours, click the link below.

Mother of Pearl – Ingunn Milla Joergensen’s Fall Favorite on Maine Art Hill

Mother of Pearl, Oil on Canvas with 18 Karat Gold Leaf, 36″ X 36″ $3700

“Fall has always been my favorite time of year,” shares artist Ingunn Milla Joergensen. “I can allow myself to slow down after a busy spring and summer.”

For Joergensen, it is a time to reflect and think, to simplify and breathe.

“That is why Mother of Pearl is my favorite painting,” she says. “To me, it is rhythm, simplicity, calmness, and poetry. I love the soothing colors and subtle reflections.”

To see all available work from Ingunn Milla Joergensen, click the link below.
To read more insights from Ingunn Milla Joergensen, click the link below.

Fall Favorites from the Artists on Maine Art Hill

Raindrops on roses and whiskers on kittens.

Bright copper kettles and warm woolen mittens

Brown paper packages tied up with strings

These are a few of my favorite things.

 

**Sorry for the earworm, but you know you were already singing it.

Autumn is upon us, and we at Maine Art Hill are aware our visitors are changing their shopping habits as the weather gets cooler, and folks all start to snuggle in. We were thinking, “What better way to connect with you than having our well-loved artists share their own favorites things.” More specifically, their favorite piece of their own artwork from the Maine Art Hill collection.

So…

Every Tuesday, beginning on November 3rd, an email will be sent to everyone on our email lists. This email will feature three artists and their particular “Fall Favorite.” This continues through December 15th. Also, watch for social media posts on Facebook and Instagram on Tuesdays, Thursdays, and Saturdays during this time to highlight individual artists of the week. 

Any purchases from one of the three featured pieces will be eligible for free shipping or free *local delivery when purchased by the following Monday.

As we get closer to our last week of posts beginning December 15th, be aware that shipping in time for the holidays may be limited.

Join our email list to learn about the artist as they are announced! It’s on the bottom right of our home page.

Follow us on Facebook and Instagram.

 

 

What Is Drawing? Part Eight – A partial repost from Vasari21 with Susan Bennett

FROM Vasari21…

“I’m surprised, too, that even though the concept of “drawing in space” has been around since Spanish sculptor Julio González articulated the idea in Cahiers d’Art in the 1920s and ‘30s, only one sculptor so far—Susan Bennett—has brought the practice up to the present. (I’m sure there are others out there, and I hope I hear from you because it’s a nifty way to extend the practice of using line to define space.)”

From Artist Susan Bennett…

The focus of my art making is primarily steel and stainless-steel sculpture. The technical aspects of welding became fluid while perfecting my craft as a pipe welder. Or to put it another way, my welds couldn’t leak under pressure. A few years later, mostly through happenstance, I was pursuing a fine arts degree as a nontraditional student—a woman in her forties. Early in this endeavor, a professor stated that life experience matters in the art-making process, and I would go back to this many, many times. In my studies, I was naturally curious about the history of direct metal sculpture. Now, as it must have been then, the idea of using this ubiquitous material in the creation of 3-D art is liberating. Welding steel, in part, has redefined the elements of modern sculpture. Drawing in space, using this mean material, is free from restraint, and is not unlike the automatic drawing process. Intuitively made, the implementation of the work evolves through an inclusive and integrated design approach. A blend of deliberation and spontaneity that is altogether pleasing.”

 

See the full article From Vasari21 by clicking here.

 

Wind Sculpture Photo Contest 2020

Maine Art Hill

Wind Sculpture Photo Contest!

There is still time to enter…

…deadline is October 21st!

Win a Wind Sculpture by Lyman Whitaker!

12 finalists will be chosen for inclusion in our 2021 Wind Sculpture Contest Calendar.

-Each finalist will receive a copy of the calendar, and be entered to win our Grand Prize, a Copper Mirinda II Wind Sculpture!

On October 28, 2020, the 12 finalists’ photos will be posted on our Facebook page, and our followers will vote for their favorite. The finalist whose photo receives the most organic “likes” as of 12 pm EST on Friday, November 27, 2020, will be this year’s winner!

How to Enter:

1) Take a photograph of your Wind Sculpture* (or grouping of Wind Sculptures) and send it to us via email.

ONE ENTRY PER PERSON, PLEASE.

2) The deadline to submit photos is noontime October 21.

3) Send submissions to [email protected]. Please include your name, shipping address, and phone number in the body of your email.

PHOTO REQUIREMENTS:

Photos MUST be submitted via email in JPEG format.

Size: At Least 2MB

Quality: 300DPI

Horizontal Formatting Preferred

Winner is responsible for shipping outside the continental U.S. as well as duties and taxes for international shipping. By submitting, you are giving permission to Maine Art Hill and Whitaker Studio to use your photo and name for future marketing endeavors.

Mirinda II Copper Wind Sculpture by Lyman Whitaker
Maine Art Hill is open year-round.
If you have any questions about the contest, please call us at 207-967-2803 or email us at [email protected].

Richard P. Winslow – Pottery Pop Up 2020 at Studios on Maine Art Hill

Richard P. Winslow’s work is taking over the Pop Up on Maine Art Hill  November 1 – November 23. Pop Up is part of Studios on Maine Art Hill at 5 Chase Hill Road in Kennebunk.

Winslow, born and raised in Sanford, Maine, presently has a home and studio in Waterboro where not only does he create his incredible works in clay and glass,  he also paints in a variety of mediums. Though the travel bug was a large part of his youth, he has called Maine home for many years.

“I started doing pottery many years ago in my college years,” shares Winslow.  “The world of work distracted my art and pottery output for several years. It wasn’t until later that I was able to get back to my arts and crafts interest. Now they are primary in my life.”

Winslow primarily does most of his pottery working on the wheel and uses multiple methods to add texture and design to many of his shapes.

“I have explored many firing and glazing options,” says Winslow. “Currently, I mostly fire to cone 5/6  and consistently use glazes that are certified as food safe.”

Currently, Winslow does both painting and pottery and belongs to several arts and crafts associations. He also participates in numerous shows in the Southern Maine area. His studio is on the lower level of his home, where he also maintains an exhibit space.

Richard P. Winslow’s work is at the Pop Up from November 1 – November 23. Pop Up is part of Studios on Maine Art Hill at 5 Chase Hill Road in Kennebunk. Please stop by to learn a bit more about his life and his work.