“I highlight parts, such as buoys or abstracted boat shapes, that for me offer the reason for painting in the first place, the colors, patterns, and atmospheres,” shares Granter, “especially Maine colors, Maine patterns, and Maine atmospheres. Whether in high summer season or in the quieter offseason, they keep bringing me back.”
rovincetown is a special place that, for centuries, has captured the attention of many famous artists, poets, and writers. “For me, the quiet solitude in Provincetown offseason is a perfect getaway to catch-up and do hopefully do some painting,” says Bigbee. “The incredible light and colorful surroundings are captured perfectly in this Season of Solitude, as well as others sparked from this same visit.”
Hoyt is the master of taking small and ordinary and turning them into pieces of beauty. Where others see personal collections of love and laughter, Hoyt sees art and an opportunity to capture those collections permanently on canvas.
The depth of the pieces Roberts creates, sometimes fifteen or more layers of wax, allows her to occasionally embed bits of ancient ephemera like ship-captains letters or bits of mica, birch bark or other treasures one might find along the coast.
“I am drawn to the water – it’s what inspires and energizes me – the colors, the sound, the smells, the calm, and the movement. It overwhelms my senses and gives me energy. When I’m painting water, I find that same energy,” says Artist Bethany Harper Williams, one of thirteen artists in the 8th Annual Choice Art Show on Maine Art Hill.
“I want my sculptures to hold space, to produce the feeling of connection with the mythical and the mystical within and to create bridges to new possibilities,” shares Elizabeth Ostrander Roberts, the only sculptor of the thirteen artists in the 8th Annual Choice Art Show on Maine Art Hill.
Artist Liz Hoag chose Feeling the Sun for her Artist Choice piece for the 8th Annual Choice Art Show. “The simplification, abstraction, and color choices come together to give it an open but also warm and comforting feeling of place,” says Hoag.
“Distant Dune was inspired by the time after, what the old-timers refer to as, a proper winter. The winter of 2019 was definitely a ‘proper winter’,” says Bluett. “I painted this piece looking forward and the ability to return to soulful dunes, fescue grass and long walks along the beaches and varied shorelines.”
“I painted this piece to acknowledge how hard we are on ourselves. Maybe we are all similar in that way,” says Hamilton. “It was a hard one to pick, but an important piece for me!”
Only us, Maine is a painting about a specific rock formation and cove that for Fitzgerald is home. Each time he returns to this piece of work, he travels a different course, from the color that suggests objects to two hues that are so compatible that together they evoke emotion.