Seeking peace and celebrating the small joys in life, these subjects center on nature and my surroundings. I enjoyed painting on a small, intimate scale this year. I don’t paint with an easel but hold my work in my lap and hold the brush like I’m holding a pen. They’re turned this way and that. I look at them very much as objects, with small illusions on their surfaces.
“Oh, buoys. I first saw these colorful icons in Kennebunkport,” shares artist Trip Park. “Simply enough, they are striking to see every time I notice them. Their toy-like colors sometimes intertwined in their wire-framed & wood traps do something fun for me every time I put them to canvas.”
“I paint what I find beautiful. Painting for me is like meditation,” explains artist Sanda Dunn. “When I am mixing colors, and focusing on values and shapes, I am operating in my right brain, and all the chatter of the mind is shut down.”
These paintings are a departure from the landscapes I often paint. Spending more time in the studio this past year, I welcomed the opportunity to explore the subtle color shifts, shadows, and refractions that a vase of flowers can provide.
Looking at this collection as a body of work in front of me today, I feel subconsciously much of that desire for calm and solitude and familiar surroundings came through. I chose to go back to many of the themes and styles I have worked with in the past. Not recreating but reexamining. There was a comfort in that.
I truly feel rewarded when a collector brings their own life experiences to one of my paintings and
feels an ultra-strong emotional connection to one of my pieces: to the point where they want to have it in their own home. That completes the circle of creativity and is such a wonderful thing.
There’s something magical about watching the sun rise and set. Maybe it’s the rapid progression of light filling the sky first thing in the morning or watching it fade at nightfall, or maybe it’s just the fact that it makes one aware of how quickly time passes. Within minutes the flow of sunrise burst into the dawn of a new day.
I use sanders, scrapers, and heat to create textures. I don’t paint from photographs or models. All of the images are from my head. I may be having a conversation with someone and hear a saying or sentence that inspires a painting. Or maybe I would hear a line in a song that puts an idea in my head.”
“All my work in this year’s show is of landscapes. Wide and open ones. They vary from dawn to dusk, rivers, marsh, and ocean,” explains artist Ingunn Milla Joergensen. “I spend a lot of time in these various places. It is where I can breathe, reflect, and find peace. This last year these aspects are more important than ever, to recharge and find beauty in nature. “
Although I revel in the sight of the sea, it’s the Maine light that grabs me. The uncluttered skies hint at the smell of brine, mussels, seaweed, lobster, fish, ducks, and birds. Salty marshes, mysterious dunes, or the sea itself inhabit the lower edge of the painting and gently hold the sky and its moods for our contemplation.