Christine Brenner – The Choice Show 2021

Although I revel in the sight of the sea, it’s the Maine light that grabs me. The uncluttered skies hint at the smell of brine, mussels, seaweed, lobster, fish, ducks, and birds. Salty marshes, mysterious dunes, or the sea itself inhabit the lower edge of the painting and gently hold the sky and its moods for our contemplation.

Ingunn Milla Joergensen – The Choice Show 2021

“All my work in this year’s show is of landscapes. Wide and open ones. They vary from dawn to dusk, rivers, marsh, and ocean,” explains artist Ingunn Milla Joergensen. “I spend a lot of time in these various places. It is where I can breathe, reflect, and find peace. This last year these aspects are more important than ever, to recharge and find beauty in nature. “

Jeffrey Fitzgerald – The Choice Show 2021

“I live deeply in color, and these paintings are truly about color. Color relationships, both complementary and contrasting. I work with the colors seen, what’s in front of me, then my other four senses fire up, and I build my artwork. They are brushstrokes over and under lapping-romantic notions, a hardy story coupled to the physical wonders of life on canvas and life.”

My Birds – Insight From Artist David Jacobson

My goal is to capture the gesture of the bird. It’s its essence. I am not concerned with details of the eyes or feathers, for example—more, of the form of flight. My recent wall piece of assembled birds of various colors at Maine Art Hill is a good example of what I am after. Each bird is interesting, in and of its self, and together forms a more intricate sculpture. The birds are placed in a formation that is influenced by observed birds in flight. Angling up, lifting off, soaring. Actual colorings influence the birds’ patterns and colors, but the birds are representational of actual birds.

Artist Ryan Kohler – Introduction and Insights

The first layer or two of his current work is acrylic.  He works quickly and easily. It comes naturally.  Once the painting is in a “good place”,  he switches to oils and continues building texture, adding and removing loosely applied layers of color before finally defining focal points of the painting with crisp, graphic lines. The end result being something different and interesting.