“This painting is of sand, branches, rocks and tiny new spring life proposed by brushstroke. It activates and energizes the canvas, but at the same time holds it together,” says Fitzgerald. “I use texture to conjure objects and then paint over texture to suggest an underneath.”
Samuel’s Wave is a painting of a moment that had such an impact. Matthews is naturally drawn to the coast and has always felt her best when connected to the sea.
“I chose these six paintings for the show after spending the winter trying new approaches, taking a break from closely-cropped small still-life and water studies to work on larger surfaces and subjects. The result is partly the consequences of moving to a new workspace. My work was bound to reflect a transition,” Alex explains. “I wanted to work on a variety of subjects, sizes, application of paint; I was free to try new things.”
A painting, for Claire, is an expression of those moments when struck by a view. It is her attempt to keep that white heat moment of excitement. The middle tones in this painting have a darkness, the colors are muted, but there is a harmonious glowing quality, like a thin veil over everything.
Craig Mooney has been a part of Maine Art for over ten years. Over the course of this time, many have fallen in love with his dreamy skies and landscapes that pull us into a world full of memories and wishes. Yet recently, we have realized some of his best work lies beyond his horizons and in his figurative pieces.