The first layer or two of his current work is acrylic. He works quickly and easily. It comes naturally. Once the painting is in a “good place”, he switches to oils and continues building texture, adding and removing loosely applied layers of color before finally defining focal points of the painting with crisp, graphic lines. The end result being something different and interesting.
“The fact that I am in a position to help focus awareness and offer support to our local community is overwhelming and impossible to resist,” says Spain. “This is everyone’s disease, be it a survivor who continues to fight every day, or someone who battled bravely but lost the fight. My job in this is easy, working to make the job of others that much easier.”
Come eat, drink and be merry with many of our artists and share in this celebration of hope and life. We are surrounding ourselves with local vendors who have come together with us to make a difference.
I want every Garden Guardian that comes out of my studio to celebrate, attract and be a reminder of this state of joyful equanimity. When we are in touch with that source big magic happens.
My artwork emulates industrial decay, archaeological artifacts, and processes of geologic change. As a child and teenager, I loved building things out of abandoned materials and exploring ruined houses and strange, forgotten places. I loved old things, deeply worn with texture and meaning.
Suzanne Anderson works in a wooded lakeside studio in Maine. It’s the perfect place to become immersed in creative exploration. In the incredible beauty of my surroundings, I find myself powerfully drawn to the landscape.
Ellen Welch Granter’s new collection of moored sailboats and their mooring buoys is hanging at The Gallery at 14 Western Ave. Along with three other talented artists, Remsen, Witbeck, & Peterson, this is a show inspired by the sea. “Though our subjects come from a similar source, the results diverge toward four very different places,”… Read more »
Peterson’s father was originally from Maine, and the family often came north during the summer. He remembers spending that time playing with boats. “Maine is a real fishing community. They used dories for fishing and pulling nets in and stuff like that, but mostly lobster fishing. These boats were iconic watercraft years ago.”
“Many of my new landscape pieces are more atmospheric. With this a bit of the whimsy is lost as it moves more toward realism,” says Witbeck. “This collection started as a commission piece that was 48x 48. Once completed, I needed more.”
As an artist, I am fascinated by the incredible variety of canine characteristics. Their differences in head shapes, body sizes, eyes, noses, jowls, ears, paws (not to mention facial expressions, temperament, and propensity for drooling) continually tickle and intrigue me.