“I use the woods as a starting point for an abstract idea. Then, by intentionally cropping the view, I consciously retain a substantive structural focal point within the composition,” shares Hoag. “I use other elements that guide the audience to look around the space and return to the focal point. The forms from nature I choose to retain are weighted and colored in a way that makes the viewer feel sure of their footing, feel balanced, feel comfortable.”
For the last few years, Maine Art Hill has opened its summer season with the Choice Art Show. This year is no different. However, this year it officially opens a week earlier, Saturday, May 29. That is not all we are changing up. Celebrate and see for yourself as we honor a bit of our past with a bit of our present.
Seeking peace and celebrating the small joys in life, these subjects center on nature and my surroundings. I enjoyed painting on a small, intimate scale this year. I don’t paint with an easel but hold my work in my lap and hold the brush like I’m holding a pen. They’re turned this way and that. I look at them very much as objects, with small illusions on their surfaces.
“Oh, buoys. I first saw these colorful icons in Kennebunkport,” shares artist Trip Park. “Simply enough, they are striking to see every time I notice them. Their toy-like colors sometimes intertwined in their wire-framed & wood traps do something fun for me every time I put them to canvas.”
These paintings are a departure from the landscapes I often paint. Spending more time in the studio this past year, I welcomed the opportunity to explore the subtle color shifts, shadows, and refractions that a vase of flowers can provide.
“I paint what I find beautiful. Painting for me is like meditation,” explains artist Sanda Dunn. “When I am mixing colors, and focusing on values and shapes, I am operating in my right brain, and all the chatter of the mind is shut down.”
Looking at this collection as a body of work in front of me today, I feel subconsciously much of that desire for calm and solitude and familiar surroundings came through. I chose to go back to many of the themes and styles I have worked with in the past. Not recreating but reexamining. There was a comfort in that.
I truly feel rewarded when a collector brings their own life experiences to one of my paintings and
feels an ultra-strong emotional connection to one of my pieces: to the point where they want to have it in their own home. That completes the circle of creativity and is such a wonderful thing.
There’s something magical about watching the sun rise and set. Maybe it’s the rapid progression of light filling the sky first thing in the morning or watching it fade at nightfall, or maybe it’s just the fact that it makes one aware of how quickly time passes. Within minutes the flow of sunrise burst into the dawn of a new day.
I use sanders, scrapers, and heat to create textures. I don’t paint from photographs or models. All of the images are from my head. I may be having a conversation with someone and hear a saying or sentence that inspires a painting. Or maybe I would hear a line in a song that puts an idea in my head.”