These prints are still one of a kind works, just produced in a manner very different from her landscape work.
This collection at Shows on Maine Art Hill, 10 Chase Hill Road in Kennebunk, features the work of Julie Houck, Claire Bigbee, and Liz Hoag. This is the last show of the season for the hilltop gallery, and it is slated to be a beauty. The doors are open on September 5 through September 24.
“Though sometimes it’s hard to focus on complex tasks when thoughts of what’s going on outside these walls swirl in my head, I have managed to quietly create,” shares Hoag. “The creamy feel of paint on a brush and the unexpected success of an even a tiny section of a painting that feels just perfect makes my days.”
“I am inspired by the interplay of light on the landscape, which is ever elusive and always changing,” shares Houck. “Painting softly allows me the opportunity to recreate that one particularly special moment when the land, light, and atmosphere seamlessly fuse.”
The horizon line in my paintings establishes a point of reference to create distance. I use dramatic scale and color to create depth rather than value transitions. This flattens the picture plane, so color relationships create a luminous visual harmony.
Natalie Lane, Director of Galleries and General Manager of Maine Art Hill, says, “The early August opening of the Matthews, Sanders, and Joergensen show, is one I have been looking forward to all summer. The contrasting landscapes and seascapes compositions and color palettes range from bold to ethereal. They take us all on a journey of the senses through New England, and it’s seacoast with all its incarnations.”
“When my great grandmother Milla married in early the 1900s, she received from her parents’ garden this beautiful peony plant,” explains Joergensen. “It was passed down through the generations and finally given to me.”
“My paintings have always been a representation of how I interpret the world,” Matthews explains. “My pieces hint at an exaggeration of simplicity. The process is often a removal of unnecessary elements, leaving strength to what remains.”
For respite, however, even as a child, I would just lay back in the lush lawn and gaze up at the forms in the billowy clouds, pure white cotton set against endless blue summer sky. The sky’s the limit! In your imagination, in absorbing nature in its full summer bounty!
For artist, Janis Sanders, each painting is an individual journey, much like a musical score, in which one leads the other in tandem to completion. Some directions are more familiar, others open the doors wide to new latitudes and longitudes. You find both in this show. But where does the inspiration the drive, the desire come from? The Masters? Other creatives?