“I am drawn to the water. It is what inspires and energizes me. The colors, the sound, the smells, the calm and the movement – it overwhelms my senses and gives me energy,” says artist Bethany Harper Williams. “When I’m painting water, I get that same energy.”
“My paintings become evocative like a haunting awareness of a presence within the view,” says Bigbee. “I strive for the feeling of aloneness we sometimes feel in life. Yet there is also peace when we sense that we are not alone; that is what nature gives back to me; it’s a dialogue.”
”Encaustic paint is created by combining beeswax, resin, and pigment with heat. This ancient medium has been around since the fifth century with a renaissance of followers in the last decade,” explains Ostrander Roberts. “It is unlike any art ever experienced. I encourage viewers to touch the surface. It has a texture that begs a touch.”
When most of our clients think about Craig Mooney, they think big. He is known for his large canvases that barely can contain the New England skies and shores. When he showed up for this solo show with fourteen 12 x 12 pieces, we knew something fun was about to happen.
“When I work big, the paint has to be compelling. It can’t just be an object or a place,” says Mooney. “It is not about how well I can paint. I want to show something interesting, the history and the mystery.”
“I want to capture the essence of my inspirations in smaller works. Can the vast skies and landscapes be felt in miniature? I have proven they can,” Mooney says. “There will be a few more surprises, though. I have departed from past shows with the inclusion of a variety of new subjects – seals, waterfowl, and different wildlife of coastal Maine. It is going to be fun.”
“I don’t think I will ever grow tired of these structures,” says Joergensen. “It’s the idea of protecting the crop, the herd, the lively hood, and in that the future of those who rely on it. To me, that is love in its purest form.”
“The quick studies capture a moment in time and are used to produce future large studio created paintings,” explains Gerding. “It’s important for me to work directly observing nature—the struggles along with the successes. Dividing my time between plein-air and studio painting has allowed me a balance between study and refinement.”
Celebrating the allure and charm of southern Maine, the talented trio of Margaret Gerding, Julie Houck, and Ingunn Joergensen are taking over Shows on Maine Art Hill at 10 Chase Hill Road in Kennebunk. Doors open June 29 at 10 am. There is also an Artist Reception to follow that evening from 5-7.
“I highlight parts, such as buoys or abstracted boat shapes, that for me offer the reason for painting in the first place, the colors, patterns, and atmospheres,” shares Granter, “especially Maine colors, Maine patterns, and Maine atmospheres. Whether in high summer season or in the quieter offseason, they keep bringing me back.”