The Paint Does All the Hard Work, and the Paper Gets All the Credit – Artist Insights from Ryan Kohler

Each component added is like a revelation, revealing something that wasn’t as defined as before—the hull of a boat, a bird’s wing, the shadow’s edge.  Sometimes I walk back and forth from my easel after each piece, carefully observing how the painting changes from a distance.

Painting with Paper – Ryan Kohler’s Solo Summer Show

The result of this work is similar to palette knife oil paintings. Parallel with distinct planes of color and various shapes layered over each other.  For Kohler, the paper’s advantage is the workability, clarity of color, and the ability to work in small areas without the risk of the muddiness that can sometimes come with an oil painting.

Every Place I Go, There I Am – Ryan Kohler’s Fall Favorite on Maine Art Hill

“I had previously hinted at the spots of a deer leaping right off its body, but I embraced that idea with this painting,” shares Kohler. “Energetic swoops of red and orange paint slide easily off her backside, and her white spots intuitively transform into fun paint splatters that dazzle the eye in a confetti-like fashion.  Bits of solid, traditional painting mixed with fun and tasteful abstraction is always what I’m striving for, and this one, to me, is right on the money.”

Artist Ryan Kohler – Introduction and Insights

The first layer or two of his current work is acrylic.  He works quickly and easily. It comes naturally.  Once the painting is in a “good place”,  he switches to oils and continues building texture, adding and removing loosely applied layers of color before finally defining focal points of the painting with crisp, graphic lines. The end result being something different and interesting.