“I imbue these semi-abstract renderings of place with universal emotions. These works are meant to bring peace to those who view them,” Mooney shares. “They are a gentle reminder that life goes on and assure that there is cosmos amid this chaos.”
Like all businesses all over the world, across the country, and here in the Kennebunks, we have learned to adapt and change. With the help of our artists, our clients, and our staff we have found incredible success during this time. Thanks to you all. With that said, we thought we would keep you updated… Read more »
When most of our clients think about Craig Mooney, they think big. He is known for his large canvases that barely can contain the New England skies and shores. When he showed up for this solo show with fourteen 12 x 12 pieces, we knew something fun was about to happen.
“When I work big, the paint has to be compelling. It can’t just be an object or a place,” says Mooney. “It is not about how well I can paint. I want to show something interesting, the history and the mystery.”
“I want to capture the essence of my inspirations in smaller works. Can the vast skies and landscapes be felt in miniature? I have proven they can,” Mooney says. “There will be a few more surprises, though. I have departed from past shows with the inclusion of a variety of new subjects – seals, waterfowl, and different wildlife of coastal Maine. It is going to be fun.”
Craig Mooney has been a part of Maine Art for over ten years. Over the course of this time, many have fallen in love with his dreamy skies and landscapes that pull us into a world full of memories and wishes. Yet recently, we have realized some of his best work lies beyond his horizons and in his figurative pieces.
“I am trying to reimagine my image of Maine Art Gallery. It has become so much more than the traditional Maine gallery, and this show has so much more than the classic Mooney sky,” says Craig. “It is by far the most all encompassing display of my work.”
Craig Mooney has a variety of motifs he is known for. We love his skies and sails and coastlines. Normally, each motif is focused on separately. There was a special inspiration, however, that nudged him into bringing three of his favorites into one piece.
Mooney says, “In this time and age we are entering, people are looking for an escape. This new series of work offers that. My recent works are more romantic motifs. I want to give people a place to go for a bit of peace. Its that feeling found when spending time with a painting, then suddenly it captures you. It holds on, and you are there, even if only for a while. Its more than just seeing it, it is feeling it. The work has to be sincere.”
When visiting Craig Mooney in Stowe, Vermont this generalization held true. Craig has a fabulous space off a small gallery in Stowe. It is large and bright, and has become more than just his space, but part of his process. In the very center of his studio is a large rectangular table that holds his brushes and paint. No matter what it looks like to the outsider, it is organized chaos to him.