Mark Pizza is an expert in combining multiple photographic memories to create multilayered, surrealistic experiences. Pizza aims to evoke multiple responses, questions, and emotions from his viewers; calling his process a digital overlay technique to create a collage effect. Pizza’s final compositions range in size and are printed on a variety of materials, all dependent on the narrative and message of his work.
After a lot of New England Seascapes and a lot of figurative painting, I circled back to Impressionism. You always go back to your first love. I am developing a Pond/Lilypad series these days with hopes of building a body of this work. There are some seascapes, landscapes, and figures mixed in.
She aims to create work that is energetic and vibrant, while still evoking a welcoming sense of comfort through playful color and subjects. Emily attributes this balance in her paintings to the connection she has with Maine and her childhood.
As an artist and art therapist, my ceramic work is a meld of both form and function. While my work may be viewed as sculptural, it is also functional, inviting the artist and the observer to take a second look. A sculptural ‘vessel’ can be teasingly functional and a surprise to the observer.
Currently, Winslow does both painting and pottery and belong to several arts and crafts associations. He also participates in numerous shows in the Southern Maine area. His studio is in the lower level of his home where he also maintains an exhibit space.
I want every Garden Guardian that comes out of my studio to celebrate, attract and be a reminder of this state of joyful equanimity. When we are in touch with that source big magic happens.
My artwork emulates industrial decay, archaeological artifacts, and processes of geologic change. As a child and teenager, I loved building things out of abandoned materials and exploring ruined houses and strange, forgotten places. I loved old things, deeply worn with texture and meaning.
Suzanne Anderson works in a wooded lakeside studio in Maine. It’s the perfect place to become immersed in creative exploration. In the incredible beauty of my surroundings, I find myself powerfully drawn to the landscape.
As an artist, I am fascinated by the incredible variety of canine characteristics. Their differences in head shapes, body sizes, eyes, noses, jowls, ears, paws (not to mention facial expressions, temperament, and propensity for drooling) continually tickle and intrigue me.
Each piece is handmade in a small scale wood studio. I strive to use a palette of native hardwoods. Every piece of rough timber is hand selected for its unique qualities such as color, pattern, and texture. Embracing the unique characters and colors of each material is an integral part of the design.