Week Four of Spring Arrivals 2023 – Joergensen, Mozzone, and Jacobson

Three Maine Art Hill artists arrive for Week Four of Spring Arrivals. Below you will see a thumbnail of each piece. Click to make it larger. Works from these three artists are available online and at the main gallery at 14 Western Ave in Kennebunk. Come by or call 207-967-2803. Links to their artist’s pages, where you can see all their work are at the bottom.

Michele Poirier Mozzone – Summer Show Season 2023 – Save the Date

Artist Michele Poirier Mozzone has recently joined Maine Art Hill. This is her first show with us, and we are super excited. Not only does Mozzone capture entirely a different side of summer with her oils, but she also does so with a unique and exciting perspective.

Week Three of Spring Arrivals 2023 – Davis, LeCours and McManus

Three Maine Art Hill artists arrive for Week Three of Spring Arrivals. Mark Davis, David Witbeck, and Alex Dunwoodie. Below you will see a thumbnail of each piece. Click to make it larger. Works from these three artists are available online and at the main gallery at 14 Western Ave in Kennebunk. Come by or call 207-967-2803. Links to their artist’s pages, where you can see all their work are at the bottom.

Week One of Spring Arrivals 2023 – Hoag, Granter and Asselta

Three amazing New England female artists start Week One of Spring Arrivals on Maine Art Hill. Works from these three artists are available online and at the main gallery at 14 Western Ave in Kennebunk. Come by or call 207-967-2803. Click the link to learn more.

Ryan Kohler – Summer Show Season 2023 – Save the Date

“My process is also evolving a little bit. The main meat and potatoes of my work are still painting and continue to be acrylic, but I’m starting to incorporate the use of tape and markers and objects,” he explains. “I’m treating my canvas like a collage with more emphasis on the painting than the collage part.”

Craig Mooney – Summer Show Season 2023 – Save the Date

“It demands a step backward, a slight tilt of the head, and begs for the smallest squint to see more clearly: as if looking into something luminous,” shares Mooney. “You must instinctively pull back to be pulled back in. Brush strokes of gold and grey and a faint remnant of sky blue cover the canvas, but it’s the orange. Burnt and bright. Deep and daring.”