“I paint what I want to see, not all the little details in nature, which can distract you and interfere with expression,” says Bigbee. “I am not necessarily ignoring traditional training but choose to break the rules and let the development of the painting lead me in one direction or another.”
“It is a perfect metaphor for me and a decisive moment to hold onto,” says Bigbee. “I am learning that inevitable failures teach persistence and patience.”
For artist Claire Bigbee, this show feels different. Preparing for this was difficult because of the last six months of chaos from a difficult divorce, which cost her working time. But the compression of time and impact of emotions poured into the paintings, giving them a distinct energy that feels raw and explosive. “The Salmon… Read more »
“The painting experience is a process in its truest and simplest sense. In this case, give, assess, and give again,” says artist Janis Sanders. ” In some instances, nearly simultaneously, an action of small gestures, each one often unintentionally, perhaps subconsciously or instinctually, setting the stage for the next gesture, stage, step, or action.”
“I am grateful that this subject matter, which I have been exploring for the past twelve years, also resonates with many people,” Mozzone shares. “It has been immensely gratifying to get feedback from someone who sees themself as a child and relives happy summer memories through my work.”
“My approach to painting borderlines on an abstract viewpoint. I aim to achieve something more permanent, or my inner landscape,” explains Bigbee. “The views around me are classic Maine, a lulling sea with long-range tides, wind-swept clouds framed by Maine’s unmovable rocky coastline.”
“Whether stated with traditional painting materials and methods in traditional applications, stretched to the edges in abstraction, abstract expressionism or even minimalism, the representation of the artist’s experience is, of course, rendered through the filter of that artist’s being, experiential and instinctual, combined, mixed and balanced,” explains Sanders.
“I often begin with a bright underpainting – usually in acrylic – and build up layers of oil paint while letting the underpainting enhance and peak through,” says Mozzone. “Those early years of working in watercolor taught me to think and plan a few steps ahead, especially regarding color. Cobalt Teal from Gamblin is probably my most-used pigment.”
“My paintings begin long before any paint is applied to the canvas or panel on the easel. I always begin with a question,” shares artist Janis H. Sanders. “What do I love about Maine?” Click to find out.
“Painting and drawing were always something I did – from the time I could hold a crayon. Although I majored in Fine Art in college and have painted for most of my life, I began to focus intensely on my art practice in 2010 after my dad’s sudden passing,” shares Mozzone. “It was a time of creative rebirth and experimentation for me as it became painfully clear that life is uncertain, and if this was what I was meant to do, it was now or never.”