A Wandering Artist – Insights from Artist Claire Bigbee

“I paint what I want to see, not all the little details in nature, which can distract you and interfere with expression,” says Bigbee. “I am not necessarily ignoring traditional training but choose to break the rules and let the development of the painting lead me in one direction or another.”

Healing with Paint – Artist Insights from Claire Bigbee

For artist Claire Bigbee, this show feels different. Preparing for this was difficult because of the last six months of chaos from a difficult divorce, which cost her working time. But the compression of time and impact of emotions poured into the paintings, giving them a distinct energy that feels raw and explosive. “The Salmon… Read more »

How It Happens – Artist Insights from Janis Sanders

“The painting experience is a process in its truest and simplest sense. In this case, give, assess, and give again,” says artist Janis Sanders. ” In some instances, nearly simultaneously, an action of small gestures, each one often unintentionally, perhaps subconsciously or instinctually, setting the stage for the next gesture, stage, step, or action.”

Composition, Mood, Idea, Palette, and Perspective – Artist Insights from Michele Poirier Mozzone

“I am grateful that this subject matter, which I have been exploring for the past twelve years, also resonates with many people,” Mozzone shares.  “It has been immensely gratifying to get feedback from someone who sees themself as a child and relives happy summer memories through my work.”

The Emotion Behind the Work – Artist Insights from Janis Sanders

“Whether stated with traditional painting materials and methods in traditional applications, stretched to the edges in abstraction, abstract expressionism or even minimalism, the representation of the artist’s experience is, of course, rendered through the filter of that artist’s being, experiential and instinctual, combined, mixed and balanced,” explains Sanders.

Michele Poirier Mozzone – Artist Insights on Medium

“I often begin with a bright underpainting – usually in acrylic – and build up layers of oil paint while letting the underpainting enhance and peak through,” says Mozzone. “Those early years of working in watercolor taught me to think and plan a few steps ahead, especially regarding color. Cobalt Teal from Gamblin is probably my most-used pigment.”

Ingunn Joergensen – A Little History

The beauty of the Maine landscape, the constantly changing elements, and the ocean are a never-ending source of inspiration for all of Joergensen’s art and design work. “It is the little things that catch my attention, a piece, a fragment, a texture, a thought, a word. Sometimes taking it all in is so much, it is almost overwhelming,” Ingunn shares. “One little shell tells the story of the ocean. A piece of wood tells the story of lived life. Beauty is found in the most unexpected places.”