“The friction of waves wears down form and finish to reveal the hidden structure and burnished surfaces,” he explains. “My studio is crammed with bits and pieces of ceramic trials, failures and wins serving as jumping off points for new artistic expression.”
“Round Pond is where Spenny, one of my best friends, kept his boat, Mist,” says Hoyt. “We sailed on her together for twenty-five years.” Twenty-five years of memories build on and around the waters near Round Pond have a way of reflecting in an artists work.
“The Eggemoggin Reach Regatta is always a great day. Its a celebration of wooden boats and Maine history,” explains Hoyt. “In this show, there are two paintings with views from my perch on Raven 24 during the race. It was an amazing day to be out on the water.”
“I had just finished this plein air sketch in an hour. Compared to my studio work that I had spent hours on, it just blew them away. There was no comparison,” says LeCours. “The plein air work had more energy, more vitality. It was more real than the studio work. Because it had come from a three-dimensional world and I was reacting to the elements, even the wind, it had more life. It had all fed into my creativity.”
“In this show I have explored different landscapes, a subject matter I have not visited in a while,” says Joergensen. “I could not entirely let go of my passion for barns, however. For me, they are more of a shelter or a homestead safely rooted or grounded. They have a sense of belonging to something deeper, and it was important to include them.”
“I decided to rent a cabin at Wolf’s Neck Woods State Park in June to work on my September show. I booked their senior cabin and off I went,” shares Bigbee. “I invited my friend and artist Ingunn Joergensen, and we escaped to a slice of heaven for a while.”
All four of us, each a visual artist of one kind or another, saw “it” at the same moment. The potential of glass to be lit from behind by reflection while setting upright in a wood base. Abstracts, representationals, portraits, manipulables, different colors overlapping and creating secondary and tertiary colors, shapes and negative spaces combining to make new shapes and spaces.
My main motivation behind my work is making connections with people. I love to talk about my work and to hear how it may affect someone. I am a self-taught artist. I use wooden panels that I put together myself. When I am working on a piece I use multiple layers of paint.
Capturing and celebrating the colors of Maine is one of the prime desires of a New England artist. It is both a skill and a talent artists Claire Bigbee, Ingunn Joergensen and John LeCours share. This talented trio is featured for three weeks at Shows on Maine Art Hill opening September 1. The artists will attend an opening reception at 10 Chase Hill on Saturday, September 1 from 5 – 7 PM. When three artists together are group together, there needs to be a sense of cohesiveness, a thread that weaves through and connects. For this show, it is color.
“Paths, trees, branches, color, light, air, open space, water,” says Liz Hoag, “we have it all here in Maine.”