The first layer or two of his current work is acrylic. He works quickly and easily. It comes naturally. Once the painting is in a “good place”, he switches to oils and continues building texture, adding and removing loosely applied layers of color before finally defining focal points of the painting with crisp, graphic lines. The end result being something different and interesting.
My paintings reflect the things that I am drawn to oceans and water, skies, forests, marshes, and meadows. I’m also inspired by my travels and I love cities and architecture. When I paint, from a photo reference or even when I paint plein air, I’m not painting what the subject looks like but rather I am painting what my response is to the subject.
Mindful scavenging insists that I step outside of myself to immerse in and study nature. Its beauty and the patterns found in every living or dormant thing, never cease to spark within me, a deep and soulful appreciation.
Primarily, my work focuses on “treescapes” and the never-ending inspiration provided by Maine and New England forests—I liken my paintings as orchestrations of visual music, much like jazz which is different from more formalized concepts of music. My paintings are invented as they proceed, and as each portion of the composition comes forward on a moment by moment basis, the components are random and abstract, yet consciously orchestrated—the growth of a living forest works in much the same way.