David Witbeck – A Solo Show at Maine Art Gallery

“I love walking low tide mudflats around and under pole wharves looking for whatever secrets the receding water may have revealed,” Witbeck says. Last October he spent a couple weeks recharging his “Maine batteries” and explored amongst the pole wharves of Friendship and Stonington. “The actual wharfs in these harbor villages don’t look a bit like the ones I painted for the show. As always, my work has always been more about what it feels like than what it looks like.”

Artists Insights – Words from Liz Hoag

You take a photograph of a sunset over a lake and realize later when you look at the photo that there were branches in your view.  You unknowingly wiped them from view when you were looking through the lens.  But they’re there; part of the landscape that gives depth and frames the beauty. They are an integral part of the beauty.  You take them in without thinking about them. 

Philip Frey and His Changing Landscapes

Frey borders a style somewhere between realism and abstraction. His work is familiar but has a composition that allows some leeway. “I’ve always been interested in abstraction, particularly the moving line between abstraction and representation. It’s a fun and fruitful place to explore,” he says. “I sometimes think about how can I paint the essence of something or a place through an economy of brush strokes.”

Ellen Granter on Sailing – A Love-Hate Relationship

“I began painting boats recently because I love the way they evoke a sense of peace and calmness,” says Granter. “However, some of my fondest childhood memories of the sailing world were not on the water nor were they calm and peaceful.” While speaking with Ellen about her newest collection, she shared some of her… Read more »

A Gallery of Flowers – Studies by Margaret Gerding

Margaret Gerding is not only a painter, she is also a teacher. Spending many days in the marshes or on the beaches of the Kennebunks, she shares her gift or art with her students. It was during one of her recent sessions that she asked her students to push themselves a little further. She issued the 30 Day Artist Challenge, a test to push skills beyond their normal comfort zone. Not only did Gerding issue this challenge, she joined in.