John LeCours – An New Artist at Maine Art

LeCours, who works mostly in oils, takes inspiration from the natural beauty of his native New England. “The first time I painted outside, en plein air, in Portsmouth Harbor, I realized that nothing can replace the excitement and energy of reacting to the elements and painting directly,” he says. “Feeling the sights, sounds and smells and reacting to them with ‘mark making’ was a true epiphany.”

Bethany Harper Williams – A New Artist at Maine Art

“I don’t like to paint the obvious. I like the viewer to look and find new things like the shapes of colors, textures, playful shapes and scribbles. The vast areas of sky or beach or water give me the room to play,” says Williams. “When looked at up close, all these interesting and unexpected shapes and subtle textures and colors can be found. Yet from a distance, it is clearly a sky or beach or water.”

Witbeck and his Women – Artist Insights on Nudes

Witbeck has been working on figure drawing almost every week for several years. The drawings and sketches, however, piled up in his studio, unseen by anyone but him. Then one day, that changed. “I thought it would be fun to turn some of them into paintings. An artist should paint what he loves,” grins Witbeck. “ ‘Nough said.”

Painting Maine – Thoughts from David Witbeck

Even though David Witbeck now lives in Rhode Island, Maine still holds a large portion of his heart and his work. He has so many memories he has created here and visits as often as he can. “Last October I spent a couple weeks recharging my Maine batteries and explored,” says Witbeck. “I wandered amongst the pole wharves of Friendship and Stonington, and visited many bays and harbors along the coast.”

David Witbeck – A Solo Show at Maine Art Gallery

“I love walking low tide mudflats around and under pole wharves looking for whatever secrets the receding water may have revealed,” Witbeck says. Last October he spent a couple weeks recharging his “Maine batteries” and explored amongst the pole wharves of Friendship and Stonington. “The actual wharfs in these harbor villages don’t look a bit like the ones I painted for the show. As always, my work has always been more about what it feels like than what it looks like.”

Artists Insights – Words from Liz Hoag

You take a photograph of a sunset over a lake and realize later when you look at the photo that there were branches in your view.  You unknowingly wiped them from view when you were looking through the lens.  But they’re there; part of the landscape that gives depth and frames the beauty. They are an integral part of the beauty.  You take them in without thinking about them.